Only 9th and 10th graders are eligible for this competition. It is similar to the All State process, but there is only one audition round. Students wishing to participate will learn 3 pieces and sing cuts from them to audition for the choir. If they make it, they will be able to sing in the Region 5 9/10 Honor Choir. Students are highly encouraged to participate in this competition. 9/10 Honor Choir will give each student a chance to refine their musical literacy skills and individual vocal development.
Cuts for 10/28 Audition
Yonder Come Day – Rudoi
Piano begins m. 14, beat 1
Soprano/Alto/Tenor begin m. 16, beat 1 “Hush”
Basses begin m. 17, beat 4 “Oh my...”
Sing through all repeats in pages 8 and 9
Sopranos and Altos stop after m. 25, beat 2 (3rd ending) “day” Tenors and Basses stop after m. 25, beat 4 (3rd ending) “child”
Magnificat in G – Puccini
Accompaniment begins m. 26, beat 1 Sopranos begin m. 30, & of beat 2 “Fecit...” Altos begin m. 30, & of beat 3 “Fecit...” Tenors begin m. 30, beat 3 “Fecit...”
Basses begin m. 30, & of beat 1 “Fecit...”
All voices stop m. 45, beat 3 after “humiles”
Let the Music Fill Your Soul – Narverud
Accompaniment begins m. 10, beat 1
Altos and Basses begin m. 11, & of beat 4 “Come in” Sopranos and Tenors begin m. 12, & of beat 1 “Come in” Sopranos and Altos stop at the end of m. 29 “whole” Tenors and basses stop after m. 29, beat 2 “whole”
Cuts for 10/28 Audition
Yonder Come Day – Rudoi
Piano begins m. 14, beat 1
Soprano/Alto/Tenor begin m. 16, beat 1 “Hush”
Basses begin m. 17, beat 4 “Oh my...”
Sing through all repeats in pages 8 and 9
Sopranos and Altos stop after m. 25, beat 2 (3rd ending) “day” Tenors and Basses stop after m. 25, beat 4 (3rd ending) “child”
Magnificat in G – Puccini
Accompaniment begins m. 26, beat 1 Sopranos begin m. 30, & of beat 2 “Fecit...” Altos begin m. 30, & of beat 3 “Fecit...” Tenors begin m. 30, beat 3 “Fecit...”
Basses begin m. 30, & of beat 1 “Fecit...”
All voices stop m. 45, beat 3 after “humiles”
Let the Music Fill Your Soul – Narverud
Accompaniment begins m. 10, beat 1
Altos and Basses begin m. 11, & of beat 4 “Come in” Sopranos and Tenors begin m. 12, & of beat 1 “Come in” Sopranos and Altos stop at the end of m. 29 “whole” Tenors and basses stop after m. 29, beat 2 “whole”
